By Kyle Orton (@KyleWOrton) on 26 June 2025
Review: “The Sacred City” (2016)
Leave a reply
Category Archives: Film Review
Film Review: ‘Civil War’ (2024)
Film Review: Raid on Entebbe (1977)
Film Review: ‘Halloween Ends’
Rethinking the Atlanta Killings
By Kyle Orton (@KyleWOrton) on 5 April 2022
In 2020, HBO produced a miniseries, “Atlanta’s Missing and Murdered: The Lost Children”, about the killing of more than two-dozen black people, most of them male and most of them children, between the summer of 1979 and the summer of 1981, in Atlanta, Georgia. The series has its own themes and slant, which one can take or leave, but it makes a convincing case the legal process that “resolved” the issue was grievously flawed. Continue reading
America, Puritanism, and Hysteria
By Kyle Orton (@KyleWOrton) on 28 July 2020
The Witch (2016) is set in the Plymouth Colony, what is now the U.S. state of Massachusetts, in the 1630s. The focus is on Puritanism and the witch craze, subjects that are not entirely irrelevant at the present time. Continue reading
Why The Obama Doctrine Failed
Film review of The Final Year (2018)
By Kyle Orton (@KyleWOrton) on 31 January 2018
The Final Year, a new documentary film directed by Greg Barker, tracks the closing stages of the administration of President Barack Obama in 2016. Senior officials are followed and interviewed, and the White House is watched as it tries to react to daily events. Much of the substance contained in the film was knowable in real time, but it is very useful to have these officials on record—on video, no less—explaining the assumptions and thought processes they were operating with as they made decisions that led to a series of such intense disasters around the world. This is especially interesting since the ripple effects from these catastrophes ultimately set the conditions for the election of Donald Trump and dismantling of much of the Obama legacy. Continue reading
Film Review: Snowden (2016)
By Kyle Orton (@KyleWOrton) on November 29, 2016
Snowden never, ever recovers from its premise: that Edward Snowden, a super-capable, pure-hearted all-American, found terrible government crimes against the American population while working at the National Security Agency, and was moved to disclose them to the world after being stymied in official channels.
Literally none of that is true. The Snowden revelations found mistakes that were generally cleared up by an efficient and functional bureaucratic oversight mechanism. Snowden did not try to go official channels in the way he described, and the bulk of what Snowden revealed was nothing to do with the privacy of Americans but was related to foreign intelligence, where the legal and practical situation is that everyone hoovers up as much data as they can. The capabilities of the Snowden presented here, personal and professional—to say nothing of Joseph Gordon-Levitt’s Snowden’s motives—would not withstand scrutiny for a single second against the actual historical record. This could be said fairly generally of the whole film. Continue reading
Film Review: Bethlehem (2013)
By Kyle Orton (@KyleWOrton) on November 20, 2016
Bethlehem is one of the most compelling films I’ve seen in a long time. There are so few good spy films available that this is a welcome surprise. Unlike Burn After Reading, a genius film, the intention here is not to show things from the agency side, to demonstrate how wildly out of control things can get when you only have half-or-less of the facts. It is also not Charlie Wilson’s War, which shows the feats that intelligence agencies can accomplish when well-directed. Bethlehem is most like Breach, which showed the immense damage an individual spy can do. But instead of showing the effects the act of spying had, with the human characters secondary, Bethlehem tracks specifically the complex relationship that develops between handler and asset. Continue reading
Looking At the Islamic State’s Past, Seeing its Future
By Kyle Orton (@KyleWOrton) on August 27, 2016
Michael Ware
Only the Dead documents the experience of Michael Ware, an Australian journalist who arrived in Iraq in early 2003 and spent eleven months-per-year there for seven years. Ware made contact soon after the fall of Saddam Hussein with those resisting the new order, at a time when the Americans were struggling to map such forces.
Ware established communication with the more nationalist-Islamist forces. Once in that milieu, the globalist jihadists, who were working in the shadows, a small, foreign-dominated force towards which even many insurgents were guarded, found him. The leader of the jihadists, Ahmad al-Khalayleh, became something of an obsession for Ware as he stepped onto the world stage with his gruesome tactics as Abu Musab al-Zarqawi. Zarqawi, the “Shaykh of the Slaughters,” would found an organization that became a movement and then burst Iraq’s frontiers, known to us now as the Islamic State (IS).
In tracking Zarqawi and his men, Ware presents some incredible footage and gives some snapshots from the fascinating days, whose effects we are all still feeling, when the Iraqi insurgency was taking root. Continue reading
Kyle Orton's Blog 